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Part 2 of ‘How to Fix the Art World.’
Welcome to Part 2 of ‘How to Fix the Art World.’ If you are just now tuning in, here’s a link to Part 1 , and here’s a little background: Back in August my staff and I embarked on an epic project: we wanted to know what inhabitants of the art world think is wrong with it and how they would fix it. In the ensuing months we spoke with more than 50 individuals—artists and curators, critics and historians, art dealers and an art fair director—to gather a range of perspectives. Some wrote longer essayistic responses; some artists responded with visuals. We finished our research and put the Winter 2017 issue of ARTnews to bed on the eve of the U.S. presidential election. Subscribers will receive the print edition later this month. Because some of our respondents wanted to speak about what’s right with the art world, we are posting a portion of the many responses in these days before the Thanksgiving holiday. We hope you will read them with the same great interest, an...
A Dubious Old Master Unnerves the Art World
A Dubious Old Master Unnerves the Art World By NINA SIEGAL OCT. 26, 2016 Continue reading the main story Share This Page Share Tweet Pin Email More Save Photo Sotheby’s declared “Portrait of a Man,” previously attributed to Frans Hals, a “modern forgery.” Credit Sotheby's AMSTERDAM — The painting convinced experts at the Louvre. Top French cultural officials declared it a national treasure. Dutch curators at the Mauritshuis and the Rijksmuseum joined the chorus of scholars who decided the enigmatic portrait of a man dressed in black was an undiscovered masterwork by Frans Hals. To many, “Portrait of a Man” was that rare find, a truly great old master painting that had simply never surfaced. In 2011, Sotheby’s auction house in New York brokered a private sale to an art collector for about $10 million. This month, though, Sotheby’s declared the work a “modern forgery.” The portrait was linked to a lower-profile event back in March, when the French poli...
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