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Part 2 of ‘How to Fix the Art World.’
Welcome to Part 2 of ‘How to Fix the Art World.’ If you are just now tuning in, here’s a link to Part 1 , and here’s a little background: Back in August my staff and I embarked on an epic project: we wanted to know what inhabitants of the art world think is wrong with it and how they would fix it. In the ensuing months we spoke with more than 50 individuals—artists and curators, critics and historians, art dealers and an art fair director—to gather a range of perspectives. Some wrote longer essayistic responses; some artists responded with visuals. We finished our research and put the Winter 2017 issue of ARTnews to bed on the eve of the U.S. presidential election. Subscribers will receive the print edition later this month. Because some of our respondents wanted to speak about what’s right with the art world, we are posting a portion of the many responses in these days before the Thanksgiving holiday. We hope you will read them with the same great interest, an...
“La crítica de arte ha perdido totalmente su función” Benjamin H. D. Buchloh -Germany (1941)
La Critríca de arte ha perdido totalmente su función El historiador del arte reflexiona sobre la p intura en la era digital y la dictadura del mercado Otros 11 Guardar Enviar por correo Imprimir IKER SEISDEDOS 20 MAR 2016 - 00:23 CET BERNARDO PÉREZ El profesor de Harvard Benjamin H. D. Buchloh (Colonia, 1941) es uno de los más influyentes historiadores del arte del siglo XX. León de Oro en la Bienal de Venecia de 2007, fue exégeta de los primeros conceptualismos europeos antes de mudarse en los setenta desde Alemania Occidental a Estados Unidos, donde ha intervenido en la esfera pública del arte junto a Rosalind Krauss, Yve-Alain Bois y Hal Foster, coautores del esencial tratado Arte desde 1900 (Akal) y compañeros de la revista October, boletín de pensamiento crítico que, libre de publicidad, edita el Massachussets Institute of Technology (MIT). En el grupo ...
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